Matthewdavid's Outmind: silence, sampling and ontology
In the realm of beat-based electronic music (acknowledging the beat-beatless distinction can be pretty arbitrary these days), one development that's been really exciting is the Los Angeles 'beat scene' , largely comprising young producers, working broadly-speaking from an instrumental/abstract hip-hop aesthetic. The best of these LA artists are genuinely experimenting with timbre and rhythm and their combination. This seems to be one of the main driving ideas for these musicians; as one of these new producers, Baths, puts it, “[t]he crazier it is, the more people are into it”. One of my favourite labels to emerge from this scene is Leaving Records (I was first mesmerised about a year and a half ago by dak's standthis ). The head of the label is Matthewdavid, whose album Outmind just came out on Brainfeeder (have a listen to it here ). I get the impression Matthewdavid is considered one of the more innovative and 'out there' producers to be linked to the L...