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Pleasure in the Process: building-blocks and naivete in Xela's 'For Frosty Mornings...'

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In the last post I looked at how metaphors attached to different musical elements can shape the way we listen to a whole track. Specifically I looked at Xela's gorgeous debut album For Frosty Mornings and Summer Nights , arguing that its music conveys the notion of human vulnerability juxtaposed with mechanised artificiality. This might imply that the mechanised part of that, the clockwork-style drums, somehow 'defeats' the vulnerable or empathetic elements, reigning over them in some cruel way. But what's so striking about this album is that the drums display little malevolence whatsoever. In fact there's a pleasing naivete to the drums and the synths, something quite emblematic of this style and period of IDM. This naivete is actually part of the emotional impact of Xela's early work; the pining melancholy I described in the last post is made up of musical metaphors, and this is one of them. The naivete of For Frosty Mornings... of course stems ...